Potions and Snitches
Snape and Harry Gen Fanfiction Archive

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Summary:

Years ago, at the end of Harry's seventh year, it was discovered that Severus and Harry are biological father and son.  Neither ever acknowledged it, both having their own reasons.  Severus thought Harry wouldn't want him as a father, especially at seventeen years old.  Harry thought that since Snape never approached him about it after they found out, that Severus didn't want him as a son.

Now, years later, Harry is 22 and a defense teacher at Hogwarts.  Severus still teaches Potions.  With their unacknowledged familial relationship and unsaid feelings hanging over both of them, Harry and Severus argue constantly and can’t seem to agree on anything, from the way to discipline students to how many house points should be given in each class.  They can't even agree on the Christmas tree’s placement in the teacher's lounge.


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Summary:

Harry and Snape are stuck together on Christmas Eve.

Potential ideas/options:

  • They're at Grimmauld Place for a meeting, but Harry has been living there with the Weasleys.  Harry has been quarantined all day because he's been sick and there are so many people there or coming and going, they don't want him to spread it around.  Later that evening, the door opens, and Molly ushers Severus in, also sick, and now also in quarantine.
  • Harry has been placed in a safe house for his own protection.  Maybe he's already 18 or 19 and out of school, and has been told to stay put or else.  Snape is brought a few days later, and is told to stay put for his own safety.
  • Harry and Snape get locked into a room in the castle on accident and can't get out.
  • Lily’s old protection spell draws them both into the same space on Christmas Eve.


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Summary:

Harry and Snape are snowed in together.  Or iced in, or it's so windy that it would be dangerous to go out becuase tree limbs are falling, etc.

I imagine they're in a tiny shack somewhere maybe not too far into the Forbidden Forest.  They could be somewhere else.  How and why they ended up out there is up to you.  The point is, they can't leave for a few hours, or if it was a big snowstorm lets say, perhaps a few days.  They're stuck together in a tiny shack or room with no place to go to get some space from each other.


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Summary: What if Harry Potter never went to the Dursleys? After the Potters’ deaths, the Ministry takes immediate custody of the Boy Who Lived. Snape is arrested for relaying the prophecy, the Longbottoms remain tragic casualties, and Dumbledore’s hidden influence is gone.

Writers are challenged to explore a wizarding world where Harry grows up under official oversight, surrounded by bureaucracy instead of neglect. How does a life shaped by rules, observation, and political control affect the boy destined for fame? How does the prophecy unfold when no one can secretly manipulate his path?

Requirements:
  • Harry remains under Ministry Custody
  • Snape is arrested or otherwise held accountable for relaying the prophecy. Snape's role in the story after either arrest or some form of consequence is up to the writer.
  • The Potters’ deaths and the Longbottoms’ trauma occur as in canon (or are acknowledged as consequences).
  • Dumbledore cannot secretly manipulate Harry’s upbringing; any involvement must be overt and bureaucratically approved.
  • Harry has no inherited wealth — he is entirely dependent on the Ministry for housing, food, magical supplies, and education.
Optional:
  • Include early Ministry-controlled magical education, e.g., wands, lessons, or magical wards before Hogwarts.
  • Show political intrigue, e.g., debates within the Ministry about Harry’s status, fame, or the prophecy.
  • Harry forming relationships with other magical children in a Ministry-controlled environment.
  • Depict how Harry’s personality, skills, and destiny diverge from canon due to structured upbringing.
  • Creature wizard Harry!
Forbidden:
  • No private magical guardianship (Dumbledore, Hagrid, or anyone else taking Harry outside Ministry oversight).
  • No “Harry is special because Dumbledore chose him” plotlines.
  • No ignoring Snape’s culpability or letting him remain unaccountable.
  • No unexplained magical exceptions or plot devices that bypass Ministry oversight (e.g., secret escape plans, unsupervised adventures).
  • No OP or Godlike Harry

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Summary: In the bad light side stories, Dumbledore often forces Severus to swear a Vow for Harry Potter's safety, but when Harry dies (or "dies"), Severus is still up and in action.... I need a story which has Harry faking his death but where Severus has to disappear too, either because Severus knew of the plan, or because Severus suspects that Harry wants away from all the chaos and the war, and wants to not blow Harry's cover. Or maybe it begins as his own initiative to verify whether Harry left of his own free will / why Harry left?
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Summary: Based on a dream that I just woke up from: Prisoner's Dilemma AU, but make it Cooperate or Die (technically, cooperate or the other dies; see below).
Explanation: The Prisoner's Dilemma is a more or less hypothetical scenario from game theory: two people (agents in one or the other sense, so to say) who cannot communicate among each other can either decide to cooperate for mutual gain, or betray the other for their own gain; except when both betray, no one gets anything/both lose. Most often in this game, the individual gain for the cooperative approach is less than it would be for the non-cooperative one, but the summed-up gain for the cooperative one is higher than for the individual, ergo you're constantly tempted to betray the other, knowing that you're losing out too if you're betrayed in turn. Once you play this "game" multiple rounds, it becomes more attractive in the long term to cooperate because you know the other can react to your decisions. (see https://ncase.me/trust/ which was my first introduction to this concept.)

Imagine Harry and Severus, captured in the same trap, with no way to communicate to each other, the fate and ultimate survival of one relying on the other, but constantly being tempted by the villain / the system to "betray" the other for basic comforts / necessities.
For added angst, you can make it so that
1) they don't know in the beginning who it is they're "playing" with.
2) the answers "cooperate" and "betray" are not immediately visible as such; or there are multiple options in each round where only one or few of those lead to cooperation.
3) adjacent to that, game theory also introduces the element of randomness where a defined fraction of the responses is flipped to account for "transmission errors". (it also means that there's no direct way of communicating one's intention / that you only see the result of what the other decided.)
4) each round, the stakes are differently high, but they don't know how high.

From there, we have a couple questions. There are many ways to play it (like always deciding to cooperate, cooperate according to pre-determined fixed pattern, only betray if the other betrayed in the previous round, always betray, etc.). I assume Severus could be using the predetermined pattern one to try to communicate / send a message (e.g. in Morse), but which one could Harry play? How high are the stakes of each round / is there a way to anticipate how high they are? If you take the added angst elements, how do they eventually find out who the other is? How do they recover (if at all) from getting off on the wrong foot, so to say, if they got caught into a spiral of 'betray's early in the game?

(end result is of course that they both survive and build trust against all possible odds, and beat the game while they're at it.)
Anyway, some playing around in the sandbox mode of the link above leads me to believe that, even in a (rather inadequate) simulation of those harsher conditions, on a population basis, the more "forgiving" strategies / the more cooperative ones still hold out the best if the cooperation reward is above 0. If below, the winning mode seems to be "simpleton" which is "start with cooperate, copy you if you cooperated last time, do the opposite as you did if you cheated the last time". So basically, your innate survival at all costs instinct is your worst enemy here.

(oh, and for some reason, Ezkridis was the main antagonist / creator of this setting.)

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Summary: Brother Bear AU --- Severus as Kenai and Harry as Koda. (Mostly, I want Harry singing "Tell everybody I'm on my way" or smething equally ridiculous while Severus is like :eyeroll: but also fond yk?)
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Summary: I mean, the song How could I ever know (from the musical) is quite Snily-coded imo? Not to mention that the dead mother can be abbreviated / is being abbreviated Lily in the musical.
I can imagine Harry in both kids? Sort of? Idk in which role I'd put him, and who the second kid could be (what I wouldn't think it quite fits: a Dudley As Mary AU though it is hilarious to imagine)
Severus is (Musical) Archibald of course. Like, that's almost HP canon Severus behaviour imo.
(With thanks to FatesMistake who jumped on this to share they had a similar idea!)
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Summary: Sev as Elsa and Harry as Anna
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Summary: What if Harry didn't inherently mistrust Snape so much, but all that mistrust is actually Voldemort's / the Horcrux's?
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